Museum og Modern Art in Warsaw
jar - leto 2020
Rudolf Sikora in exhibition
The title of the exhibition is drawn from the book The Collapse of Western Civilization: A View from the Future by Naomi Oreskes and Erik M. Conway (2014), where the protagonists from the future date the “period of the penumbra” from the “shadow of anti-intellectualism that fell over the once-Enlightened techno-scientific nations of the Western world during the second half of the twentieth century, preventing them from acting on the scientific knowledge available at the time” and leading to tragedy. We are witnesses to this process: scientific findings have ceased to be regarded as dispositive and do not persuade people to act.
Participating Artists -
Jonathas de Andrade /
Isabelle Andriessen /
Rasheed Araeen /
Robert Barry /
Kasper Bosmans /
Boyle Family /
Agnieszka Brzeżańska /
Dora Budor /
Vija Celmins /
Center for Land Use Interpretation /
Alice Creischer /
Czekalska + Golec /
Betsy Damon /
Tacita Dean /
Thierry De Cordier /
Agnes Denes /
Ines Doujak /
Jimmie Durham /
Jerzy Fedorowicz /
Hamish Fulton /
Futurefarmers /
Cyprien Gaillard /
Simryn Gill /
Wanda Gołkowska /
Guerrilla Girls /
Małgorzata Gurowska /
Anna & Lawrence Halprin /
Mitsutoshi Hanaga /
Suzanne Husky /
Ice Stupa Project /
INTERPRT /
Anja Kanngieser /
Karrabing Film Collective /
Beom Kim /
Frans Krajcberg /
Susanne Kriemann /
Stefan Krygier /
Katalin Ladik /
Nicolás Lamas /
John Latham /
Richard Long /
Antje Majewski /
Nicholas Mangan /
Krzysztof Maniak /
Qavavau Manumie /
Robert Morris /
Shana Moulton & Nick Hallett /
Teresa Murak /
Peter Nadin & Natsuko Uchino & Aimée Toledano /
Bruce Nauman /
Nishiko /
Isamu Noguchi /
OHO /
Dennis Oppenheim /
Prabhakar Pachpute & Rupali Patil /
Maria Pinińska-Bereś /
Agnieszka Polska /
Ludmiła Popiel /
Joanna Rajkowska /
Jerzy Rosołowicz /
Oscar Santillán /
Gerry Schum /
Bonnie Ora Sherk /
Anna Siekierska /
Rudolf Sikora /
Magdalena Starska /
Irv Teibel /
Akira Tsuboi /
Maria Waśko /
Ryszard Waśko /
Lawrence Weiner /
Magdalena Więcek /
Andrea Zittel